At its best, copyediting can be like tackling a cleverly constructed crossword puzzle, a self-contained and satisfying task-not something I care to do full-time, but an entertaining diversion.  My true mission, however, was deeper and more subversive: to undermine cultural stereotypes by providing the English-reading world with an unmediated view of Chinese culture and society.īack then, I still was doing occasional copyediting in addition to acquiring books in Asian studies and various other fields. My purported task was to copyedit the 1,270 manuscript pages of the English translation of Stories Old and New, a set of forty vernacular short stories collected in the late Ming dynasty (1368-1644) by the most knowledgeable connoisseur of popular Chinese literature of his time, Feng Menglong.  This travel was, alas, only in the mind, but I relished it every day-an eight-hour minivacation in both space and time. But among the perks of my editorial job at the University of Washington Press in the summer of 1998 was being paid to boat down rivers and trek through mist-shrouded mountains in southeast China and to tiptoe into ancient monasteries and palaces, with eloquent and entertaining locals as my guides. Some people spend thousands of dollars and endure hours of exhausting air travel to vacation in exotic places. Stories Old and New: A Ming Dynasty Collection (ISBN: 9780295978444)

Ming feng

For longer-term storage, historians could store GIF and video versions of an animation alongside detailed metadata about the original GIF file, which would serve as a sort of instruction manual for authentic rendering. Working with artists to ensure that the conditions of display don't run roughshod over their intentions is a start. The 'solution' the study considers isn't any one thing, but a whole number of measures. You just had to figure out how to make it smaller.That puzzle of trying to make a GIF look good and still get the size in under the line, that is like an art form to me.' You couldn't even upload a file bigger than that. All that nuance can disappear if you're not careful to preserve both the GIF itself, and the context of its creation.Īs prolific GIF-artist Jason Walter, known to the GIF world as 'EditingAndLayout' explained to Popular Mechanics in 2016: 'Imgur's limit was 2 MB back when I really started. What's more, the extreme limitations of the GIF format and the restrictions of websites that display them traditionally play a huge roll in the way GIFs are made, with talented GIFsmiths painstakingly tweaking the size and color palette as well as editing frame-by-frame to make the best-looking, smallest possible file.   The rigs most museums used to display moving images don't natively support the ancient GIF format, which means exhibitors may need to transform a GIF into a video file, which may change the way it appears in significant ways. It may seem easy enough in theory, but immediately becomes complicated in practice.

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